KORKU filmleri ve romanlar\u0131 belki de g\u00fcn\u00fcm\u00fcz insan\u0131n\u0131n en \u00e7ok ilgisini \u00e7eken konular\u0131n ba\u015f\u0131nda gelmektedir. ‘Korku k\u00fclt\u00fcr\u00fc’n\u00fcn hakim oldu\u011fu bu \u00e7a\u011fda insanlar korkular\u0131n\u0131 anlamay\u0131 onlarla ba\u015f etmenin yolunu da d\u00fc\u015f\u00fcnmektedir. Bundan dolay\u0131 edebiyat alan\u0131nda ‘korku’ duygusu geni\u015f yer alm\u0131\u015ft\u0131r. Korku \u00fczerine, bir\u00e7ok \u015fiir, \u00f6yk\u00fc, roman ve yaz\u0131 kaleme al\u0131nm\u0131\u015ft\u0131r. O\u011fuz Atay ‘Korkuyu Beklerken’ isimli \u00f6yk\u00fc kitab\u0131nda bunal\u0131ml\u0131 insanlar\u0131 ve bunal\u0131ml\u0131 ya\u015famlar\u0131 anlatm\u0131\u015ft\u0131r. Atay bu kitapta, toplum d\u0131\u015f\u0131na itilmi\u015f, kendini toplumtan uzakla\u015ft\u0131rm\u0131\u015f, i\u00e7ine kapan\u0131k, \u00e7\u0131kar yol bulamayan, kimliksizle\u015fmi\u015f bireylerin d\u00fcnyas\u0131n\u0131 tan\u0131t\u0131r.<\/p>\n
Milattan \u00f6nce ya\u015fam\u0131\u015f olan Romal\u0131 \u00fcnl\u00fc \u015fair ve filozof Titus Lucretius Carus, ‘De Rerum Natur’ adl\u0131 \u015fiirinde korku \u00e7o\u011fu kez ka\u00e7maya sevk eder ama bazen insan\u0131 \u00f6yle bir ele ge\u00e7irir ki k\u0131p\u0131rdamaktan bile aciz b\u0131rak\u0131r:<\/p>\n
‘Oysa derin bir korkuyu duyunca zihin, \u00fcrperir<\/p>\n
Can, hepten, g\u00f6r\u00fcr\u00fcz titredi\u011fini korkudan, elin<\/p>\n
Aya\u011f\u0131n, terler d\u00f6kt\u00fc\u011f\u00fcn\u00fc, t\u00fcm g\u00f6vdenin \u0131sland\u0131\u011f\u0131n\u0131,<\/p>\n
Tutulur dilimiz, kesilir sesimiz, \u00e7\u0131nlar kulak,<\/p>\n
Titrer dizlerimiz, karar\u0131r g\u00f6zlerimiz, g\u00f6r\u00fcr\u00fcz<\/p>\n
Nas\u0131l yere serdi\u011fini birden, bir can<\/p>\n
Korkusunun ki\u015fileri s\u0131k s\u0131k.’<\/p>\n
\u0130ngiliz yazar ve \u015fair Philip Larkin, ‘Dockery and Son’ (1963) adl\u0131 \u015fiirinde ‘hayat ilkin s\u0131k\u0131nt\u0131, sonra korkudur’ der. Murathan Mungan ‘Omayra’ adl\u0131 m\u00fcthi\u015f \u015fiirinde korkuyu \u015fu dizelerle anlat\u0131r:<\/p>\n
‘Kork! kutsal kitaplardaki kadar kork!<\/p>\n
\u00c7\u00fcnk\u00fc hi\u00e7tir b\u00fct\u00fcn duygular<\/p>\n
Korkunun verimi yan\u0131nda.’<\/p>\n
Necip Faz\u0131l K\u0131sak\u00fcrek de ‘\u00d6l\u00fcn\u00fcn Odas\u0131’ adl\u0131 \u015fiirinde korkuyu \u015f\u00f6yle betimler:<\/p>\n
‘Bir oda, yerde bir mum, perdeler indirilmi\u015f; Yerde \u00e7\u0131plak bir g\u00f6mlek, korkusundan dirilmi\u015f. S\u00fct beyaz duvarlarda \u00e7ivilerin g\u00f6lgesi; Art\u0131k ne bir \u00e7\u0131t\u0131rd\u0131, ne de bir ayak sesi….<\/p>\n
Yat\u0131yor yata\u011f\u0131nda, dimdik, upuzun, \u00f6l\u00fc; \u00dcst\u00fc boynuna kadar bir \u00e7ar\u015fafla \u00f6rt\u00fcl\u00fc.’<\/p>\n
Asaf Halet \u00c7elebi’nin ise, ‘Harput’ \u015fiirinde korku masala birle\u015fip \u00f6n plana \u00e7\u0131kar. \u00c7elebi, \u015fiirde \u00e7ocuklukta masallar\u0131n dinlenmesiyle olu\u015fan geni\u015f bir hayal g\u00fcc\u00fcn\u00fcn, korku unsurlar\u0131yla birle\u015fmesi ve bunun ‘ben’ \u00fczerindeki etkisi fantastik bir \u015fekilde sunulur. \u015eair, Harp\u00fbt’a seslenir ve korkuyla ondan uzakla\u015f\u0131r:<\/p>\n
‘harp\u00fbt kulaklar\u0131n\u0131 sark\u0131t eski korkutlar \u00e7\u0131k\u0131yor karanl\u0131klardan bacadan d\u00fc\u015fen harp\u00fbt g\u00f6rmek istemiyorum g\u00f6z\u00fcmden ye beni duymak istemiyorum kula\u011f\u0131mdan ye beni d\u00fc\u015f\u00fcnmek istemiyorum kafamdan beni y\u00fbt harp\u00fbt.’<\/p>\n
\u00dcstad \u0130smet \u00d6zel de ‘Ament\u00fc’ adl\u0131 \u015fiirinde korkuyu, emperyalizmin insanlar\u0131 a\u00e7 b\u0131rakma g\u00fcd\u00fcs\u00fc olarak yorumlar ve \u015f\u00f6yle anlat\u0131r:<\/p>\n
‘Budur i\u015fte bir daha korkmamak i\u00e7in korkmaz g\u00f6r\u00fcnen korku i\u015fte \u015fehirleri bay\u0131nd\u0131r g\u00f6steren yalan i\u015fte mevsimlerin de\u011fi\u015fti\u011fi yerde buharla\u015fan kelep\u00e7eler, s\u00fcrg\u00fcnler, gen\u00e7lik ac\u0131lar\u0131yla g\u00fc\u00e7 bela kurdu\u011fum c\u00fcmle i\u015fte bu; ten kaygusu y\u00fckl\u00fc a\u011f\u0131r bir ha\u00e7 ta\u015f\u0131maktan tenimin olanca a\u011f\u0131rl\u0131\u011f\u0131 yok oldu.’<\/p>\n
Attila ilhan ‘Korkunun Krall\u0131\u011f\u0131’ adl\u0131 \u015fiirinde, gece bask\u0131nlar\u0131n\u0131n ve tutuklamalar\u0131n oldu\u011fu 12 Eyl\u00fcl d\u00f6nemi ile \u00f6zde\u015fle\u015ftirir korkuyu:<\/p>\n
‘Korkuyorum korktu\u011fumun bilincindeyim birileri \u015falteri indirdi indirecek i\u015fim bitik’<\/p>\n
Milli \u015fairimiz Mehmet Akif Ersoy da, \u00f6l\u00fcm-kal\u0131m sava\u015f\u0131n\u0131n ya\u015fand\u0131\u011f\u0131 \u0130stiklal Sava\u015f\u0131’n\u0131 anlatt\u0131\u011f\u0131 dizelere \u015f\u00f6yle ba\u015flar:<\/p>\n
‘Korkma, s\u00f6nmez bu \u015fafaklarda y\u00fczen al sancak;<\/p>\n
S\u00f6nmeden yurdumun \u00fcst\u00fcnde t\u00fcten en son ocak.<\/p>\n
O benim milletimin y\u0131ld\u0131z\u0131d\u0131r, parlayacak;<\/p>\n
O benimdir, o benim milletimindir ancak.’<\/p>\n
<\/p>\n
Kaynak:<\/strong> \u0130stiklal Gazetesi, ilk yay\u0131mlanma tarihi: 12 Kas\u0131m 2020<\/p>\n","protected":false},"excerpt":{"rendered":"KORKU filmleri ve romanlar\u0131 belki de g\u00fcn\u00fcm\u00fcz insan\u0131n\u0131n en \u00e7ok ilgisini \u00e7eken konular\u0131n ba\u015f\u0131nda gelmektedir. ‘Korku k\u00fclt\u00fcr\u00fc’n\u00fcn hakim oldu\u011fu bu […]","protected":false},"author":2,"featured_media":652,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[472,450,474,470,476,461,171,471,475,473],"class_list":["post-651","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edebiyat","tag-bunalim","tag-edebiyat","tag-kaygi","tag-korku","tag-korku-estetigi","tag-korku-kulturu","tag-modern-insan","tag-siir","tag-sikinti","tag-varolus"],"_links":{"self":[{"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/posts\/651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/comments?post=651"}],"version-history":[{"count":1,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/posts\/651\/revisions"}],"predecessor-version":[{"id":653,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/posts\/651\/revisions\/653"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/media\/652"}],"wp:attachment":[{"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/media?parent=651"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/categories?post=651"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/tags?post=651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}