Ortado\u011fu ac\u0131lar\u0131n diy\u00e2r\u0131d\u0131r. \u015eark\u0131lar\u0131na a\u011f\u0131tlar h\u00e2kimdir. \u015eiirleri, ister \u00e2dil ister z\u00e2lim olsun; krallara \u00f6vg\u00fclerle doludur. K\u0131\u015f\u0131n evlerin bacas\u0131ndan h\u00fcz\u00fcn dumanlar\u0131 y\u00fckselir. Topraklar\u0131n\u0131n her katresinde kan ve g\u00f6zya\u015flar\u0131 vard\u0131r. Onun i\u00e7indir ki ya\u011fan her ya\u011fmur sonras\u0131 insan\u0131n i\u00e7ine ferahl\u0131k veren bir toprak kokusu vard\u0131r. \u00c7\u00fcnk\u00fc \u015fehitlerin ve mazlum halklar\u0131n g\u00f6zya\u015flar\u0131 bahar esintisi yayar. Co\u011frafyamda elem (ac\u0131) ve emel (umut) ayn\u0131 kelimelerden t\u00fcretilmi\u015ftir. Arap\u00e7ada buna kelimelerin ink\u0131lap etmesi deriz. \u0130\u015fte bundand\u0131r ki, umut ac\u0131dan do\u011far co\u011frafyamda. Her umudun ve m\u00fcjdenin ta derinlerine n\u00fcfuz etti\u011finizde bir ac\u0131 bulursunuz.<\/p>\n
\u015eair Ferman Kara\u00e7am, \u201cSeni de vururlar bir g\u00fcn ey ac\u0131\u201d <\/strong>adl\u0131 \u015fiirinde bunu \u015fu dizelerle ne g\u00fczel anlat\u0131r:<\/p>\n \u201cKollar\u0131 ve bacaklar\u0131 budanm\u0131\u015f delikanl\u0131lar\u0131 Geli\u015fmi\u015f laboratuvarlar\u0131n\u0131zda dikkatle inceleyin Seni de vururlar bir g\u00fcn ey ac\u0131 Anadolu\u2019da arabeskin sevilmesinin de belki de bir y\u00f6n\u00fc bundand\u0131r. Bu ay vizyona giren \u201cM\u00fcsl\u00fcm\u201d filmi, co\u011frafyam\u0131n insanlar\u0131n\u0131n ferdi ac\u0131lar\u0131na parmak bas\u0131yor. Arabesk m\u00fczi\u011fin M\u00fcsl\u00fcm Babas\u0131, ger\u00e7ek ad\u0131yla M\u00fcsl\u00fcm Akba\u015f, \u201cAc\u0131 Y\u0131llar\u201d, \u201cAc\u0131 Hat\u0131ralar\u201d ve \u201cAyr\u0131l\u0131k ac\u0131 bir \u015fey\u201d \u015fark\u0131lar\u0131 ile hayranlar\u0131n\u0131n ac\u0131 hayatlar\u0131na g\u00f6ndermeler yapar. H\u00fcz\u00fcn kokan sesinden M\u00fcsl\u00fcm Baba, ac\u0131 ac\u0131 \u015fark\u0131lar s\u00f6yler. Mazlumlar, onun sesinde kendilerini bulur. M\u00fcsl\u00fcm Baba, g\u00fcne\u015fe kur\u015fun s\u0131kanlar\u0131n \u015fehrinde ac\u0131lar\u0131n \u00e7ocuklar\u0131na \u201cYakarsa d\u00fcnyay\u0131 mazlumlar yakar\u201d<\/strong> der. T\u0131pk\u0131 Arap co\u011frafyas\u0131n\u0131n h\u00fcz\u00fcn, keder, gam ve ac\u0131lar\u0131n\u0131 melodile\u015ftiren sanat\u00e7\u0131lar\u0131 gibi.<\/p>\n Filozoflar, \u201cac\u0131 kutsal bir yarad\u0131r\u201d<\/strong> der. \u00c7\u00fcnk\u00fc insan\u0131 huzurlu d\u00fcnyas\u0131ndan kopar\u0131r ve dayan\u0131lmaz olana zorlar. Bedende silinmez de\u011fi\u015fiklikler ger\u00e7ekle\u015ftiren d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir g\u00fc\u00e7t\u00fcr ac\u0131. \u0130nsano\u011flu bazen \u00e7ocuklu\u011funda ac\u0131yla kar\u015f\u0131la\u015f\u0131r ama genelde ac\u0131; gen\u00e7lik kimli\u011finin par\u00e7alanmas\u0131 ile acemi insan\u0131 eski tutsakl\u0131klar\u0131n\u0131n \u00f6tesine g\u00f6t\u00fcr\u00fcr ve ona d\u00fcnyayla yeni bir ili\u015fkinin yollar\u0131n\u0131 a\u00e7ar. Ac\u0131, aceminin y\u0131k\u0131lmamas\u0131 i\u00e7in, yak\u0131c\u0131 bir kutsall\u0131k deneyimidir. Ac\u0131 s\u00f6zle\u015fmeyi onaylayan damgad\u0131r. S\u0131k\u0131nt\u0131lar\u0131n\u0131 a\u015fman\u0131n verdi\u011fi duygular i\u00e7inde g\u00fc\u00e7lenmi\u015f yeni bir insan d\u00fcnyaya getirir. \u0130fade edilmesi \u00e7ok zor olan bu deneyim art\u0131k geride kalm\u0131\u015f o eski \u00e7ocu\u011fu veya gen\u00e7 insan\u0131 yok eder ve yeni insan\u0131n do\u011fumuna e\u015flik eder. Sokrates, zevk ve ac\u0131 diyalekti\u011fi sorununu tart\u0131\u015ft\u0131\u011f\u0131 dostlar\u0131na ac\u0131n\u0131n da bir erdeminin oldu\u011funu s\u00f6yler.<\/p>\n Frans\u0131z cerrah Rene Leriche\u2019i sa\u011fl\u0131\u011f\u0131; \u201corganlar\u0131n sessizli\u011fi i\u00e7inde ya\u015fama<\/strong>\u201d diye tan\u0131mlar. Frans\u0131z filozof Georges Canguilhem de sa\u011fl\u0131\u011f\u0131 \u201cinsan\u0131n bedenin fark\u0131nda olmamas\u0131<\/strong>\u201d olarak tan\u0131mlar. B\u00f6ylelikle \u015f\u00f6yle diyebiliriz: Ac\u0131 insan\u0131n bedenin fark\u0131nda olmas\u0131d\u0131r. Ac\u0131 bazen insan\u0131 isyank\u00e2r bir bedene hapseder. \u0130\u015ftah yitimi, ya\u015famdan tiksinme, al\u0131nganl\u0131k, bitkinlik, tembellik, uykusuzluk ve sonra s\u0131k\u0131nt\u0131lar korteji e\u015flik eder ac\u0131ya ve hi\u00e7bir \u015feyi ihmal etmeden t\u00fcm ya\u015fam\u0131 renklendirir. Bilin\u00e7, tan\u0131makta zorland\u0131\u011f\u0131 ama varl\u0131\u011f\u0131n\u0131 kendisine empoze eden bir bedenin s\u0131n\u0131rlar\u0131 i\u00e7ine hapsolur. Franz Kafka\u2019n\u0131n \u201cinsan bedeninin korkun\u00e7 s\u0131n\u0131rlar\u0131<\/strong>\u201d dedi\u011fi de budur belki.<\/p>\n Toplumlar ac\u0131 \u00fczerinden tan\u0131mlar kendilerini. S\u00f6zgelimi eski zaman Hristiyan\u2019\u0131 ac\u0131s\u0131n\u0131, ba\u011f\u0131\u015flayarak \u2018\u0130sa\u2019n\u0131n kurban edilmesi dolay\u0131s\u0131yla y\u00fck\u00fcml\u00fc oldu\u011fu<\/em>\u2019 borcunu \u00f6der. Bu durumda \u00e7ekilen her ac\u0131, bir sevgi kan\u0131t\u0131, bir ibadettir. T\u0131pk\u0131 \u015eii M\u00fcsl\u00fcmanlar\u0131n Kerbela\u2019y\u0131 and\u0131klar\u0131nda yapt\u0131klar\u0131 gibi. M\u00fcsl\u00fcmanlar ve Hristiyanlar i\u00e7in bu d\u00fcnya ge\u00e7icidir, bir ge\u00e7i\u015f yeridir ve kendi i\u00e7inde bir ama\u00e7 de\u011fildir. Peygamberler ac\u0131 \u00e7ekti ama umudu vaat ettiler. Ey\u00fcp (as) ac\u0131 \u00e7ekti ama \u015fifan\u0131n yollar\u0131n\u0131 \u00f6\u011fretti. Tasavvuf da d\u00fcnyay\u0131 bir ac\u0131 yeri olarak g\u00f6r\u00fcr. Hinduizm, Canizm ve Budizm gibi Do\u011fu dinlerinde de ac\u0131 metafizikleri i\u00e7inde yer al\u0131r. Anirudha \u015f\u00f6yle der: \u201cBeden ac\u0131d\u0131r \u00e7\u00fcnk\u00fc ac\u0131n\u0131n yeridir; duyular, objeler, alg\u0131lar ac\u0131d\u0131r \u00e7\u00fcnk\u00fc ac\u0131ya g\u00f6t\u00fcr\u00fcrler; zevk de ac\u0131d\u0131r \u00e7\u00fcnk\u00fc arkas\u0131ndan ac\u0131 gelir<\/strong>.\u201d<\/p>\n Bu co\u011frafyada ac\u0131 hi\u00e7bir zaman eksik olmad\u0131. Kadim d\u00f6nemlerde iktidar\u0131n g\u00fcc\u00fcn\u00fc ve kar\u015f\u0131 konulmazl\u0131\u011f\u0131n\u0131 g\u00f6stermek i\u00e7in insanlar, k\u0131l\u0131\u00e7 darbelerinin ve giyotinlerin \u00f6n\u00fcne veya kadim Roma\u2019da oldu\u011fu gibi arenalarda a\u00e7 aslanlar\u0131n \u00f6n\u00fcne at\u0131l\u0131rd\u0131. Aradan as\u0131rlar ge\u00e7mesine ra\u011fmen ya\u015fad\u0131\u011f\u0131m\u0131z 21. y\u00fczy\u0131lda bile bu co\u011frafyada katliamlar hi\u00e7 eksik olmad\u0131. Irak\u2019ta Ebu Gureyb cezaevinden Suriye\u2019deki kimyasal sald\u0131r\u0131lara, Rabia katliam\u0131ndan Filistin\u2019deki \u0130srail sald\u0131r\u0131lar\u0131na kadar her y\u0131l yeni zul\u00fcmlere tan\u0131kl\u0131k etti co\u011frafyam\u0131n mazlumlar\u0131. Rabia meydan\u0131nda mazlumlarla sohbet ettim. Gazze\u2019de bombalar\u0131n alt\u0131nda Filistinlilerin ac\u0131s\u0131na m\u00fc\u015fahede ettim. Irak\u2019\u0131n Ebu Gureyb ve Suriye\u2019de Esed\u2019in zindanlar\u0131nda \u00f6len mazlumlar\u0131n foto\u011fraflar\u0131n\u0131 g\u00f6ren ilk gazetecilerden biriydim. Her olay sonras\u0131 bu co\u011frafyan\u0131n bir ferdi olarak ciddi bunal\u0131mlar ya\u015fad\u0131m. Fakat mazlumlar\u0131n dualar\u0131 ve halleriydi beni ayakta tutan.<\/p>\n “Gine Gam Y\u00fck\u00fcn\u00fcn Kervan\u0131 Geldi” t\u00fcrk\u00fcs\u00fcyle efk\u00e2r da\u011f\u0131tmal\u0131:<\/p>\n Gine gam y\u00fck\u00fcn\u00fcn kervan\u0131 geldi<\/strong> Co\u011frafyamda milyonlarca insan sadist gruplar\u0131n aras\u0131na hapsedildi. Bir yanda sadist diktat\u00f6rler di\u011fer yanda DA\u0130\u015e gibi sadist \u00f6rg\u00fctler. Kandan ve i\u015fkenceden beslenen vampirler s\u00fcr\u00fcs\u00fc, sosyal e\u015fitsizlik ve adaletsizliklerini gizlemek i\u00e7in zulme ba\u015fvururlar. Onlar\u0131n d\u00fcnyas\u0131nda insan ya\u015fam\u0131nda \u201ck\u00f6t\u00fcl\u00fc\u011f\u00fcn s\u0131radanl\u0131\u011f\u0131\u201dna \u015fahitlik edersiniz. Zorlamak, a\u015fa\u011f\u0131lamak ya da yok etmek amac\u0131yla \u00f6tekine ac\u0131 \u00e7ektirmek sanat\u0131n\u0131n t\u00fckenmez yollar\u0131na v\u00e2k\u0131ft\u0131rlar. Bu ba\u011flamda \u00e7ektirilen ac\u0131 tercih edilen ara\u00e7, hatta \u00f6teki \u00fcst\u00fcndeki iktidar arketipidir.<\/p>\n Kimileri de baz\u0131 durumlarda ac\u0131y\u0131 tercih eder, y\u00fcceltir ve onu lezzetli bir yemek, t\u00fckenmez bir zevk kayna\u011f\u0131 gibi g\u00f6r\u00fcr. Mazo\u015fist paradoksal bir tav\u0131r i\u00e7inde fizik, b\u00fct\u00fcnl\u00fc\u011f\u00fc tehlikeye d\u00fc\u015f\u00fcrebilecek bir zevk pe\u015findedir: Sopa, dayak, k\u0131rba\u00e7, yara, kan vb. \u201cAc\u0131 hisleri, \u00f6teki ho\u015f olmayan hisler gibi cinsel tahrik alan\u0131n\u0131 a\u015farlar ve bir zevk durumu yarat\u0131rlar\u201d<\/strong> diyor Freud. Ac\u0131n\u0131n erotikle\u015fmesinin ba\u015fkas\u0131na yap\u0131lan i\u015fkencelerle \u00f6zde\u015fle\u015ferek zevk duyma yoluyla sadist bir kar\u015f\u0131l\u0131\u011f\u0131 vard\u0131r. Ama mazo\u015fist kendi fantazma alanlar\u0131 d\u0131\u015f\u0131nda \u00f6teki insanlar gibi ac\u0131 \u00e7eker. Bu sadist diktat\u00f6r ve \u00f6rg\u00fctler ve aveneleri olan mazo\u015fistlere zul\u00fcmlerini ikrar ve itiraf ettirmektir ac\u0131 ac\u0131 elem veren.<\/p>\n Bug\u00fcn art\u0131k bir trajediye d\u00f6n\u00fc\u015fen umutsuzluk, \u00e7aresizlik, delilik ve hatta \u00f6l\u00fcmlerden kurtulma zam\u00e2n\u0131 gelmedi mi co\u011frafyam\u0131n?!!. \u0130ki y\u00fcz y\u0131ld\u0131r devam eden i\u015fgaller, s\u00f6m\u00fcr\u00fcler, diktat\u00f6rler ve ter\u00f6r \u00f6rg\u00fctleri. 2 as\u0131r sonra bize bug\u00fcnlerde d\u00fcnyevi umutlar\u0131 olmayan, umutsuzlar, ya\u015fam\u0131n getirdi\u011fi korkular kar\u015f\u0131s\u0131nda akl\u0131n\u0131 yitirenler kald\u0131. Alman \u015eair ve filozof Friedrich Schiller \u201cAn die Freunde\u201d \u015firinde, \u201cUnd der Lebende hat recht \/ Canl\u0131 olan hakl\u0131d\u0131r<\/strong>\u201d dizesini hayk\u0131rm\u0131\u015ft\u0131. Bizler ise bug\u00fcn \u00f6l\u00fclerden kurtulamad\u0131\u011f\u0131m\u0131z gibi ya\u015fayanlar\u0131n da hakk\u0131n\u0131 da yeterince savunam\u0131yoruz. Geriye bizi varl\u0131klar\u0131yla rahats\u0131z eden ve dogmaya g\u00f6re g\u00f6m\u00fclen \u00f6l\u00fclerden daha \u00e7ok rahats\u0131z etmeyi s\u00fcrd\u00fcren sa\u011flar kald\u0131.<\/p>\n T\u00fcm ac\u0131lara, belalara, haydutlara, ac\u0131mas\u0131z vah\u015filere kar\u015f\u0131 hakikati hayk\u0131racak, hayalleri g\u00fc\u00e7l\u00fc, gemilerini yakm\u0131\u015f, t\u00fcm d\u00f6n\u00fc\u015f yollar\u0131n\u0131 Tar\u0131k bin Ziyad\u2019\u0131n ordusu gibi yasaklam\u0131\u015f g\u00fc\u00e7l\u00fc insanlara ihtiyac\u0131 var co\u011frafyam\u0131n. Frans\u0131z edebiyat kuramc\u0131s\u0131 Maurice Blanchot, \u201cAc\u0131yla d\u00fc\u015f\u00fcnmeyi \u00f6\u011fren<\/strong>\u201d der. Bir ba\u015fka deyi\u015fle insan\u0131n \u00e7ekti\u011fi ac\u0131larla m\u00fccadele etmek ve onlar\u0131 yok etmek i\u00e7in birli\u011fe ihtiya\u00e7 var. K\u00f6t\u00fcl\u00fcklerin envanterini \u00e7\u0131karmaya gerek yok.<\/p>\n Bunun i\u00e7in idealleri olan, \u00f6zg\u00fcrl\u00fck \u00e2\u015f\u0131klar\u0131na ihtiyac\u0131 var co\u011frafyam\u0131n. B\u00fcy\u00fck insanlar cesaretle dile getirir hakikatleri\u2026 B\u00fcy\u00fck olmayanlar ise i\u00e7lerinde sakl\u0131 tutar hakikatleri… Nietzsche\u2019nin \u201cB\u00f6yle Buyurdu Zerd\u00fc\u015ft<\/strong>\u201d kitab\u0131nda Y\u0131lan \u00d6l\u00fcm\u00fc Vadisi\u2019ne ka\u00e7an \u00e7irkin insan\u0131 ve Dostoyevski\u2019nin Yeralt\u0131ndan Notlar kitab\u0131ndaki yeralt\u0131ndaki adam\u0131 merhamet ar\u0131yor\u2026 \u0130nsanlara umudu anlatmal\u0131. Latince bir s\u00f6z bu hali ne g\u00fczel \u00f6zetliyor: \u201cFiat justitia, pereat mundus \/ Adalet ger\u00e7ekle\u015fsin de vars\u0131n d\u00fcnya yans\u0131n.\u201d \u00a0<\/strong><\/p>\n \u015eair Metin \u00d6nal Meng\u00fc\u015fo\u011flu\u2019nun \u201cCila, K\u00fcl ve Kefen\u201d adl\u0131 \u015fiirindeki \u015fu dizelerle \u00f6zetliyordu ac\u0131n\u0131n co\u011frafyamdaki halini:<\/p>\n \u201cNerde kald\u0131 <\/p>\n","protected":false},"excerpt":{"rendered":"Ortado\u011fu ac\u0131lar\u0131n diy\u00e2r\u0131d\u0131r. \u015eark\u0131lar\u0131na a\u011f\u0131tlar h\u00e2kimdir. \u015eiirleri, ister \u00e2dil ister z\u00e2lim olsun; krallara \u00f6vg\u00fclerle doludur. K\u0131\u015f\u0131n evlerin bacas\u0131ndan h\u00fcz\u00fcn dumanlar\u0131 […]","protected":false},"author":2,"featured_media":409,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,11],"tags":[],"class_list":["post-408","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fikriyyat","category-yazilar"],"_links":{"self":[{"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/posts\/408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/comments?post=408"}],"version-history":[{"count":5,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/posts\/408\/revisions"}],"predecessor-version":[{"id":414,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/posts\/408\/revisions\/414"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/media\/409"}],"wp:attachment":[{"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/media?parent=408"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/categories?post=408"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/turankislakci.com\/tr\/wp-json\/wp\/v2\/tags?post=408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Boyunlar\u0131 g\u00f6vdelerinden ayr\u0131lm\u0131\u015f insanlar\u0131
\n<\/strong>G\u00f6zleri uyur gibi kapanm\u0131\u015f, kan p\u0131ht\u0131lar\u0131
\n<\/strong>\u0130\u00e7indeki bu
\n<\/strong>\u00c7ocuklar\u0131<\/strong>\u00a0<\/strong><\/p>\n
\n<\/strong>Ve bir g\u00fcn
\n<\/strong>G\u00fcl bah\u00e7esine d\u00f6necek
\n<\/strong>Bunu b\u00f6yle bilin\/ ve
\n<\/strong>Unutmay\u0131n\u2026<\/strong>\u00a0<\/strong><\/p>\n
\n<\/strong>U\u00e7u\u015fup durdu\u011fun kanatlar\u0131ndan
\n<\/strong>Saz\u0131n s\u00f6z\u00fcn t\u00fcrk\u00fclerin t\u00fckenir
\n<\/strong>Ellerin koynunda kalakal\u0131rs\u0131n.\u2019<\/strong><\/p>\n
\n\u00c7ekemem bu derdi (de yavrum) b\u00f6lek seninle<\/strong>
\nEremem lokman’a \u00e7aresiz kald\u0131m<\/strong>
\n\u00c7ekemem bu derdi (de yavrum) b\u00f6lek seninle<\/strong><\/p>\n
\n<\/strong>\u015fimdi d\u00fcnyan\u0131n
\n<\/strong>derin, yaral\u0131 bir az\u00e2s\u0131 gibi
\n<\/strong>kendini Eyyub\u2019a benzetmek i\u00e7in
\n<\/strong>sahte sab\u0131r ta\u015flar\u0131na \u00e7arpanlar
\n<\/strong>ba\u015flar\u0131n\u0131\u2026<\/strong>\u201d<\/p>\n